I heard somewhere that the 90s is the one decade of the 20th Century where not much was produced in the way of substantial music. I’d have to agree to some extent that a good deal of mainstream pop music from the 90s was soul aching drivel, but I also had some of my best musical experiences during that time so I know it wasn’t all bad. Like most forms of entertainment, I deem the best music from the 90s to be from artists who are so authentic with their craft that they produce enduring content that forever resonates with listeners. There are many examples of these artists, but I’m going to narrow in on a few of my favourites. First up, Lauryn Hill:
The Miseducation of Lauryn Hill was released in the summer of 1998. I was 24 years old and already a fan of hers having listened to her in the group, The Fugees. I was over the moon when I bought her solo album and I was not disappointed when I heard it. Every one of her songs were phenomenal. Each one was written carefully and with purpose. I immediately connected with all of them. Years later, a lot of information surfaced about Lauryn and her controversial life and questionable head space when she wrote and released the album, but none of that matters to me. I am still a massive fan.
In this music review on Pitchfork.om, writer Carvell Wallace talks in depth about the impact Lauryn’s album had on the world of hip hop. For me, the album showed me the strength and depth of an artist I admired. Lauryn was raw and exposed in so many ways on the album and that inspired me to strive to be as real as possible in my own life’s endeavours.
Sade: Love Deluxe
Sade is another timeless artist. Although she was discovered in the 1980s, her album Love Deluxe which was released in1992, has some of my favourite songs. Similar to Lauryn Hill, whenever I listen to Sade, I get the sense that she is speaking directly from her soul to mine. There is a depth to her voice that is undeniably moving. Sade also touches ever so slightly on the global political climate in some of her songs. For instance, her song Pearls from the same album Love Deluxe, paints a portrait of a woman’s survival tactics living in what sounds like a war torn society in Somalia. Sade sings the song so beautifully and her accompanying music is striking in a way that makes you want to listen to what she has to say. In this interview with Sade, Fader magazine reveals some of her inner complexities that facilitated her ability to produce such profound music.
D’Angelo: Brown Sugar
D’Angelo’s Brown Sugar was released in 1995 and I instantly fell in love. At that time, the music industry was already saturated with quite a lot of new rhythm and blues (R&B) artists, but D’Angelo stood out from the rest. His voice was smooth and the music he chose to sing against was the same. The 90s was also a time when hip hop music was at its height and there were some great legendary tracks being produced, which was great. But D’Angelo was in a different lane. Eventually, I heard his music categorized as neo-soul. Whatever it is, his sound was refreshing. It was as if he had been transported from the 50s, but he was able to maintain a contemporary message in his music. I found this interview from The Village Voice that is a few years old, but it captures my feelings about D’Angelo so I had to share it. Indeed this album, and the artist himself, will remain a favourite of my for years to come.
Erykah Badu: Baduizm
Erykah Badu embodies authenticity in music. Her album Baduizm was released in 1997 and it inspired me immediately. Erykah exploded onto the music scene with a large head wrap and the voice of an angel. Her main message in Baduizm is all about love and humanity. She is truly an artist who is concerned with the state of the world and from her music, it seems she believes that love can conquer a lot of the world’s issues. I think on some level somewhere in a non-practical corner of my mind I agree with her assessment, which is why I am drawn to her.
In closing this post, I will say that I have had the pleasure of watching all of these artists perform live and I was not disappointed in any of them. All of them were truly treasures of the 90s and they all touched my life in their own way. I hope they continue to contribute to the world’s, and to my personal, library of music.